Large Format: Enlarging v Contact Printing — by Bruce Robbins on

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Is a contact print from a 10x8 large format neg better than a 10x8 enlargement from a sheet of 5x4 film? Well, it seems that the answer depe...

A Poem in the Shadow of the Grand Mosque — by Bruce Robbins on

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By Omar Ozenir http://geldurkal.blogspot.co.uk/ Having found refuge from the searing heat in the small tea garden beneath the wall of the Gr...

The art of Large Format — by Bruce Robbins on

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Fotografia de gran formato, 20x25 (8x10"), large format photography from Ledicia Audiovisual on Vimeo . Next time a digital photogra...

Singular Image: Baxter Park — by Bruce Robbins on

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This is a photograph from the same roll of film as the night shots I posted about last Monday . Baxter Park is a centrally-located park that...

Rollei Blackbird - refreshingly different or clever marketing? — by Bruce Robbins on

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There are some photographers who are driven, creative individuals who know exactly what they want to do and just go and do it. The rest of u...

Darkroom a casualty of New York camera club move — by Bruce Robbins on

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The club's premises at 336 West 37th Street. The Camera Club of New York has finally succumbed to financial pressure and decided to do a...

Night Photography — by Bruce Robbins on

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A row of bins waiting to be emptied the following morning. One of the reasons I bought a full frame DSLR (Nikon D700) about four years ago w...

Analogue Archives: Larry Bartlett Feature — by Bruce Robbins on

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Behind every great photographer there's usually a fantastic printer. Thus begins this 1983 article about Larry Bartlett, a printer who a...

Fifty Sheds of Grey — by Bruce Robbins on

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OK, I pinched the title from a book I saw in Dobbies garden centre the other day (I was dragged in by Cath to look at plants). The book was ...