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The Online Darkroom
Keeping alive the black arts of the darkroom
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Develop LF Negs
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Zone System for Roll Film
Read a Negative
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Fix a Leitz V35 Bulb
Omar's Darkroom
A Coffee House in Cunda
Akcakoca
A Silent Encounter - Edirne
Child Worker - Adana
Wilting Tulip
In Search of Speed
Raki, Fish and Kemenche
Forests of Yenice
A Portrait from Havana
Pillared Church, Cappadoccia
Spur Acurol-N Revisited
Street Scene and Light in Hoi An
Reeds on Lake Iznik
Spur HRX: Omar's First Impressions
A Poem in the Shadow of the Grand Mosque
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Adox CHS 100 II - First Look
Adox CHS 100 II in Atomal
HP5 Plus in Spur HRX
New Spur HRX
Firstcall 400s in Spur HRX
Firstcall 400S in Rodinal
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Firstcall 400S for dull days
Tri X in Acurol-N
Adox Silvermax
Spur Acurol-N Revisited
Spur HRX and Firstcall 400s
Spur HRX - Omar's Impressions
Spur Acurol-P and Straight Black Developers
Hexar AF Dilemma
Hexar AF Landscapes
Zuiko 50mm F2 Macro
Zuiko 50mm F2 Macro
Zuiko 50mm F2 Macro
Why do we talk such rubbish about lenses - Part One
Why do we talk such rubbish about lenses - Part Two
The Leica Diaries
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When the pixels hit the fan...
—
by
Bruce Robbins
on
14 comments
The preferred way to store data. Excuse poor iPhone pic of badly-exposed negs. :) Forty years ago, the average family probably shot no more ...
Analogue is NOT digital
—
by
Bruce Robbins
on
12 comments
A reader known only as LCL left an interesting comment last week to my post A Less Beautiful Ralph Gibson that rekindled the old "anal...
More portfolio ponderings
—
by
Bruce Robbins
on
6 comments
Leica M2, 50mm Summicron, Tmax 400 developed in Firstcall Superfine. T.O.D. contributor David M. , in a comment on my previous post, advised...
Portfolio? Is this the year?
—
by
Bruce Robbins
on
5 comments
I'm starting to gather together some nice Leica negatives that deserve more than just a quick work print or scan. Leica M2, 50mm Summicr...
Nothing can eclipse McDonald's!
—
by
Bruce Robbins
on
2 comments
No prizes for guessing where I watched the eclipse from then. It coincided with my morning coffee today so I whipped out the iPhone and took...
The LEICA Diaries - Part Six
—
by
Bruce Robbins
on
4 comments
There's just something about a Leica film camera, isn't there? I took my 84-year-old mother for a coffee the other day and, while we...
The LEICA Diaries - Part Five
—
by
Bruce Robbins
on
6 comments
Here's a strange thing that I wasn't expecting with the Leica. Most of us have a "vertical bias" when framing a scene in t...
Artful Cock-Ups
—
by
Bruce Robbins
on
7 comments
Ilford's Pan F+ is a lovely film capable of producing very sharp and fine-grained negatives but not without its little foibles. For a st...
The LEICA Diaries - Part Four
—
by
Bruce Robbins
on
13 comments
Garden, Westhaven Leica M2, 35mm f3.5 Summaron, Tmax 400 developed in Firstcall Superfine. If you read stuff online about loading a film int...
Voigtlander Vitessa off to a new home
—
by
Bruce Robbins
on
1 comment
After much deliberation, I decided to sell my Vitessa despite the excellence of it's fabulous 50mm f2 Ultron lens. It was a hard decisio...
The whys and wherefores of test strips
—
by
Bruce Robbins
on
10 comments
Contributor David M. continues his look at the essentials of the darkroom with a comprehensive guide to one of the simplest but most importa...
The LEICA Diaries: Part Three
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by
Bruce Robbins
on
21 comments
Leica M2, 50mm Rigid Summicron, Tmax 400 developed in Firstcall Superfine. BLOODY LENS CAPS! Yes, I've taken my first pic with a blinker...
More Good Film News
—
by
Bruce Robbins
on
1 comment
The Rochester Institute of Technology. (Elizabeth Lamark, RIT) Although digital has quickly risen to become photography's main image-cap...
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When the pixels hit the fan...
Analogue is NOT digital
More portfolio ponderings
Portfolio? Is this the year?
Nothing can eclipse McDonald's!
The LEICA Diaries - Part Six
The LEICA Diaries - Part Five
Artful Cock-Ups
The LEICA Diaries - Part Four
Voigtlander Vitessa off to a new home
The whys and wherefores of test strips
The LEICA Diaries: Part Three
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Rolleiflex Old Standard - A Review
Robert Doisneau in 1949 with his 1932 Old Standard - the same year as my own. I wasn't sure whether or not it would be a good idea to wr...
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Bruce Robbins
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