The LEICA Diaries - Part Six — by Bruce Robbins on

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There's just something about a Leica film camera, isn't there? I took my 84-year-old mother for a coffee the other day and, while we...

The LEICA Diaries - Part Five — by Bruce Robbins on

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Here's a strange thing that I wasn't expecting with the Leica. Most of us have a "vertical bias" when framing a scene in t...

Artful Cock-Ups — by Bruce Robbins on

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Ilford's Pan F+ is a lovely film capable of producing very sharp and fine-grained negatives but not without its little foibles. For a st...

The LEICA Diaries - Part Four — by Bruce Robbins on

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Garden, Westhaven Leica M2, 35mm f3.5 Summaron, Tmax 400 developed in Firstcall Superfine. If you read stuff online about loading a film int...

Voigtlander Vitessa off to a new home — by Bruce Robbins on

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After much deliberation, I decided to sell my Vitessa despite the excellence of it's fabulous 50mm f2 Ultron lens. It was a hard decisio...

The whys and wherefores of test strips — by Bruce Robbins on

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Contributor David M. continues his look at the essentials of the darkroom with a comprehensive guide to one of the simplest but most importa...

The LEICA Diaries: Part Three — by Bruce Robbins on

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Leica M2, 50mm Rigid Summicron, Tmax 400 developed in Firstcall Superfine. BLOODY LENS CAPS! Yes, I've taken my first pic with a blinker...

More Good Film News — by Bruce Robbins on

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The Rochester Institute of Technology. (Elizabeth Lamark, RIT) Although digital has quickly risen to become photography's main image-cap...

The LEICA Diaries - Part Two — by Bruce Robbins on

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Leica M2, 35mm Summaron, Silvermax developed in Firstcall Superfine. Leica M: The Unbearable Lightness of Being First "proper" out...