The Lochee Burn — by Bruce Robbins on

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It's hardly a raging torrent at the wettest of times and for much of the year it's little more than a gentle stream just a foot or t...

Placing the V&A in context — by Bruce Robbins on

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‘Dundee’s setting is probably more extraordinary than any other city in the UK. It is about as ideal – ludicrously ideal – as any setting co...

The Forgotten Mists — by Bruce Robbins on

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Here are a few images that slipped under the radar when I was writing my last post - just forgot all about them. They were an early attempt ...

A Slow Start to the Year — by Bruce Robbins on

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When readers start contacting me to see if I'm still above ground, it's time to write a wee update of what's going on with my ph...

More format thoughts — by Bruce Robbins on

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One of the (many) challenging things as you grow older is dealing with deteriorating eyesight. I've been quite short-sighted since my pr...

A few prints from a special camera — by Bruce Robbins on

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I love a good, muddy field! MILD SEXISM ALERT - liberal snowflakes look away now. The arrival of Autumn heralds many different things. In my...

Black Dog — by Bruce Robbins on

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A few months ago, in this post , I was bemoaning the fact that I could never get a big black dog to appear in photographs when I needed one....

The Robbins Files — by Bruce Robbins on

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A couple of weeks ago, I decided to do something about my non-existent negative filing system. It was getting beyond the ridiculous stage ma...

Plucked from the bin — by Bruce Robbins on

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This is a 5x4 shot from the Speed Graphic that I've had lying on my desk in the man cave for many, many months. During that time it'...

Back to the Future — by Bruce Robbins on

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Way back in the mists of time, I was an early adopter of things digital. The cameras were handy for a young father with little free time and...