Singular Image: Pillbox — by Bruce Robbins on

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I've got quite lot of photographs that never see the light of day because they're single shots and don't fit into a theme. Most ...

The Last Days of Neopan 400 — by Bruce Robbins on

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Dog Left by Phil Rogers . Minolta Autocord, Neopan 400  developed in Barry Thornton's Two Bath This is one of those horrible times for a...

Help Make "Fair Witness" a Success — by Bruce Robbins on

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Click above for Dave's entertaining video explaining his street photography Kickstarter project (Kickstarter link at the bottom of this...

SPUR HRX: Omar's First Impressions — by Bruce Robbins on

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By Omar  Ozenir http://geldurkal.blogspot.co.uk/ Below are Omar's impressions of Spur HRX-3 New, the forerunner to the company's mos...

On the Merits of Small Prints — by Bruce Robbins on

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What's the largest size you normally print? Is bigger always better? I ask because I've been thinking a bit recently about ordering ...

Fishtown of Usan — by Bruce Robbins on

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Or Why Progress Sucks... I don't normally think of myself as being a Luddite. I love the internet and lots of different technologies and...

One Hundreds Years of Leica Cameras — by Bruce Robbins on

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Click above to be taken to the BBC website The BBC has an interesting short video up at the moment marking the 100th anniversary of the Leic...

A quick guide to Spur developers — by Bruce Robbins on

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From some of the emails I've had since opening The Online Darkroom Store it seems some people are a bit confused about the properties o...

Film V Digital: A Counter Argument — by Bruce Robbins on

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A Gibson classic from his film days My criticism of Ralph Gibson for ditching his beloved M film cameras in favour of a digital model has b...