Singular Image: Reporters' Room — by Bruce Robbins on

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Reporters' Room, Olympus XA2, Ilford XP2 The newspaper company I worked for in Dundee latterly had two sites for reporters - one in a lo...

Acurol-N sells out as a new project gets underway — by Bruce Robbins on

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A new project for me - a 17th C stable block and groom's quarters. Read on for more. Contax 137 MA, 28mm f2.8 Distagon, Silvermax develo...

How to Develop Large Format Negs — by Bruce Robbins on

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You can't beat a big negative. There are as many ways to develop large format negatives as there are cameras to take them (well, not qui...

A Glimpse into the Future of Adox — by Bruce Robbins on

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Mirko Boeddecker of Adox has given quite a candid interview to Jesse Struyvelt of the Film Foundation, a chat which has just been published ...

Honouring a War Hero — by Bruce Robbins on

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Graham's war grave at Arbroath Western Cemetery A few days ago Cath and I took the dogs for a walk through a cemetery in nearby Arbroath...

Shadow detail is SO over-rated! — by Bruce Robbins on

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Typical Ralph Gibson - at least during his film days. I was struck whilst looking at some of Ralph Gibson's images on his website by jus...

Selfies with the Vitessa — by Bruce Robbins on

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Back in March I revealed the latest addition to my camera line-up, a Voigtlander Vitessa "barn doors" from the 1950s. It came wit...

Singular Image: Pillbox — by Bruce Robbins on

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I've got quite lot of photographs that never see the light of day because they're single shots and don't fit into a theme. Most ...

The Last Days of Neopan 400 — by Bruce Robbins on

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Dog Left by Phil Rogers . Minolta Autocord, Neopan 400  developed in Barry Thornton's Two Bath This is one of those horrible times for a...