Poles Apart — by Bruce Robbins on

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Is it possible to characterise a nation by its photography? I'm beginning to wonder if that is indeed the case. I think I can identify A...

Raki, Fish and Kemenche — by Bruce Robbins on

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By Omar Ozenir http://geldurkal.blogspot.co.uk/ It was late evening, the light was low, my lens opened up to max f/4.0, but I could not rema...

Another Day, Another Darkroom - Part Two — by Bruce Robbins on

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Here's where I'm at right now - not a lot of progress from the first post. It's the Easter holiday and I can't find the time...

Hexar Landscapes — by Bruce Robbins on

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It's been in and out of my "things to sell on Ebay" list more often than a fiddler's elbow but it's still here. Looks ...

Another Day, Another Darkroom - Part One — by Bruce Robbins on

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An almost blank canvas - but not for long! If you've followed this blog from the start you'll know that my darkroom sessions have be...

@DarkroomOnline — by Bruce Robbins on

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Quick update : I've got 22 followers already! Thanks to those of you who have responded so far. Please help to get the word out about th...

Fine negs produce fine prints... — by Bruce Robbins on

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It was the late Barry Thornton who always used to bang on about the importance of getting a fine negative if you want to make a fine print. ...

Diafine and a plea to commenters — by Bruce Robbins on

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Tri X and Diafine at 1260 ISO Will we ever see Diafine in the UK again? I'm beginning to wonder. About the only place it seems to be ava...

In Search of Speed — by Bruce Robbins on

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By Omar Ozenir http://geldurkal.blogspot.co.uk/ British Museum, London, 2001 The introduction of SPUR’s HCD developer , claiming speeds up ...