Singular Image: Highland Road — by Bruce Robbins on

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It's been a while since I posted a Singular Image article. I'd intended making it a regular feature, choosing just one pic and talki...

Adox CMS 20 stand developed in HC110 — by Bruce Robbins on

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Update: For some reason, the photographs on this page weren't showing up earlier but that's the glitch fixed now. The Online Darkroo...

The Power of Facebook — by Bruce Robbins on

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Last month (April) was the most successful I've had with The Online Darkroom since launching it onto an unsuspecting public three-and-a-...

Adox CMS 20 - a reader's quest — by Bruce Robbins on

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Italian reader Donato Chirulli has been quietly working away on what seems to be something of a fixation with some photographers - getting C...

The LEICA Diaries - Part Nine — by Bruce Robbins on

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An old ferry terminal building in the Fife town of Newport taken with the Summaron. Ferry crossings over the river Tay between Dundee and Ne...

Pre-exposure follow-up — by Bruce Robbins on

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Being an inquisitive sort, I went on to Google+ and the Analogue Photography Users Group and posed much the same question on the topic of Br...

Barnbaum v Thornton: who's right? — by Bruce Robbins on

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Pre-flashing or pre-exposing a negative to improve shadow detail in contrasty scenes was a technique advocated by the late Barry Thornton in...

Fair Witness tops the charts — by Bruce Robbins on

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Congratulations to David Keenan whose new black and white photography book, Fair Witness, is the best seller in its category on the Amazon w...

Firstcall now stocking Bergger paper — by Bruce Robbins on

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Firstcall Photographic's spring/summer catalogue arrived in the post the other day with the usual sprinkling of film and darkroom goodie...