Complete darkroom and two Nikon F5s for sale in Ottawa — by Bruce Robbins on

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I've had an email from a Canadian lady asking for advice about finding a buyer for her late husband's darkroom equipment. She seems ...

Making a ground glass — by Bruce Robbins on

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By David M. Regular commenter and correspondent, the mysterious David M., has sent me a piece he's written on the subject of making a gr...

More thoughts on the doldrums — by Bruce Robbins on

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When I wrote Monday's post about being in the photographic doldrums, I didn't expect such a thoughtful response from readers. It wou...

Ploughing over old ground — by Bruce Robbins on

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What to do when I've photographed everything interesting within an easy drive of my Carnoustie home? Photograph it again. I'm going ...

Film and Analogue Photography on Google+ — by Bruce Robbins on

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For a while now I've been posting - "sharing" - the stuff I write here on the Google+ Film and Analogue Photography group (it...

Colour - what's that again? — by Bruce Robbins on

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I mentioned recently that I'd been back to Newtyle Quarry with the Speed Graphic, exposing the huge quantity of three sheets of film. On...

Vivian Maier: Feeling the Love — by Bruce Robbins on

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Well, I didn't think my tentative proposal that Vivian had been "fast-tracked to the pantheon of great photographers because of her...

Analogue Archives: Kevin MacDonnell — by Bruce Robbins on

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This MacDonnell column is from 35mm Photography magazine and dates back to February, 1985. I've added a Kevin MacDonnell page in the rig...

Is Vivian Maier over-rated? — by Bruce Robbins on

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The story of the shy nanny who spent her spare time chronicling the streets of Chicago and further afield on her Rolleiflex but who died und...