The Reckoning — by Bruce Robbins on

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  I've been to the cemetery in Cupar, Fife, that's home to this angel, quite a few times without paying the sculpture much attention...

Taped Triptych — by Bruce Robbins on

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A taped triptych? Just think of it as the distant cousin of the stitched panorama and you won't go far wrong. The Epson 1400 printer I h...

Mount Melville Railway Station — by Bruce Robbins on

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Cairnsmill Burn flowing between bridges that once allowed access from the east to Mount Melville Station About a mile or so south of where I...

How big with the iphone 16? — by Bruce Robbins on

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The iPhone 16 ( not the Pro model - that was too expensive) has impressed the hell out of me. I used to view my old iPhone as a note-taking...

Bad hair day — by Bruce Robbins on

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Not sure why I like this pic. Maybe it’s the stark nature of the scene or the atmosphere - I love a bit of mist. I was sitting at the PC loo...

That 1980s warm tone look — by Bruce Robbins on

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  Sometimes I look at a print made using only a pigment black ink and wonder if it’s too warm. Alongside one from the dye equivalent, it usu...

My favourite darkroom paper - gone — by Bruce Robbins on

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Carse Graveyard from a few years back showing the characteristic warmth of Fomatone 133 Having left the darkroom behind - but hopefully not ...

Striking the right tone — by Bruce Robbins on

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An iphone pic I took the other day whilst out for a walk with the dog. I've since tweaked the curves for the dye and pigment blacks so t...

Final Printing Tweaks — by Bruce Robbins on

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That’s my tweaking at an end as far as printing on Marrutt’s velvet fine art paper is concerned. The linearisation process (see previous pos...